National Institute of Creative Arts and Industries


Research

Elam School of Fine Arts staff and postgraduate students are nationally recognised leaders in research and research policy in the creative arts and industries. They regularly present their research in New Zealand and abroad, in art galleries, at professional conventions and at prestigious events such as the Venice Biennale.

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Joyce Campbell

The Many Layered Place: Evoking Te Taniwha of Ruakituri, Hanagaroa and Te Reinga

Joyce is working on the second stage of an ongoing research project that already exists as a series of photographic exhibitions. This new work adds a number of HD DVD interviews, transcriptions and edited texts as well as a supporting series of large format photographs and 16mm films to the project. The work aims to build an extensive narrative archive that secures for posterity a densely layered korero pertaining to two intersecting river valleys – Hangaroa and Ruakituri and their meeting place at Te Reinga in the Eastern Urewera.

Working in collaboration with the Ngai Kohatu historian and kaumatua, Richard Niania, Joyce is identifying knowledge holders, archiving oral accounts and pinpointing significant sites relevant to ancient supernatural events, customary practices and historical conflicts in these two valleys. In particular she is focussing on inherited accounts of the journeys of the prophet Te Kooti Akikirangi Te Turuki and the birth (in his party) of the puhi, matriarch and orator Te Taniwha McRoberts, tracing their influence into the modern era. The work will be exhibited at Pitzer College in Claremont, California, with an accompanying symposium and the publication of a catalogue of essays.

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Asociate Professor Derrick Cherrie

Going to Norway: A thin building sculpture project

The objective of Derrick’s project is to promote reflection on the underlying social and economic conditions which support our built environment, by destabilising some of its most recognisable features. Consisting of the creation of six large outdoor and indoor sculptural works and a series of works on paper, Derrick explains that “the point of this project is not to develop new “architectural’ designs but to adapt existing forms, materials and building codes to perversely strained architectural ends. It is intended that these works will challenge perceptions of what it means to live within the social contracts and material cultures that urban environments service and promote”.

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Lisa Crowley

Revisiting Modernist ideas of thought and production

Lisa’s project is a case study of the production and dissemination of thought and politics through printed material. It explores how an icon of European architectural modernism, in this case Alvar Aalto’s Vyborg library in Finland, operates as a complex object that fosters the production of both ideologies and subjectivities. Aalto’s library has a particularly interesting history as it has been in Soviet and now Russian territory for much of its life. Lisa’s exhibition at Te Tuhi, Auckland and her exhibition at Jensen Gallery, Sydney, form two halves of the project: her videos of the library in use, shown at Te Tuhi, will present the life of the library as a complex cultural object which functions as an idea; a machine for producing subjectivities; a functioning and elegant architectural site; and a model of socio-political forces. The Jensen Gallery images will evoke the processes of thought and feeling mediated by print culture.

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Dr Simon Ingram

Towards a version of Grote Reber’s radio telescope at Wheaton (Chicago, 1937)

Chicago-born Grote Reber was the first, and for a full decade, the only radio astronomer in the world. In 1937, after failing to gain government funding, he built a radio telescope in a vacant section next to his mother’s house. The project caught the public’s imagination and resulted in considerable media attention. From Reber’s original drawings Simon is developing a working scale model of the radio telescope which will be able to listen to radio signals directly from space and, interfacing with software and hardware, act as a painting machine. Outputs will include an exhibition featuring the model telescope as sculpture, a book published by Poor FarmPress and a series of paintings and drawings.

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Alex Monteith

Extreme Surfing Aotearoa

This project involves number of large-scale performance and video artworks with the participation of big-wave surfers, taking place over the winter storm seasons in Aotearoa, New Zealand. Alex is combining research on this cultural practice with new developments in the academic theories on performance art and video art.

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