Dr David Kerry Chisholm
PhD University of Melbourne, BMus Hons. Monash University, BCA University of Wollongong
David Chisholm is internationally recognized as a composer defined by diverse and hybrid collaboration and a curator and producer of vision and courage. He is the composer of roughly 50 original compositions including ten long-form works, ranging orchestral, chamber, choral electronics, film, theatre, dance and installation and web projects. David has won an APRA|AMCOS Art Music Award for Excellence in Experimental Music, six Green Room Awards, a French Australian Chamber of Commerce and Industry Award, a Highly Commended Paul Lowin Prize, a Mention at 36th Bourges International competition of electroacoustic music and electronic art, a Special mention in the X Media Forum, 31st International Film Festival, Moscow, the Medibank Private State and National Arts Awards and The Channel Ten National Young Achiever of the Year. David’s work has appeared at Venice Biennale, Villa Medici Roma, Sydney, Melbourne, Adelaide and Edinburgh Festivals, Moscow Museum of Art, ISCM World New Music Days, MONA FOMA, Danscenen Copenhagen, Nelson Composers Forum, Black Box Okhla New Delhi, Monaco Dance Forum, Australian Centre for Photography and he has been performed and recorded by Ensemble Vortex, defunensemble, International Contemporary Ensemble, Swedish Radio Symphony Orchestra, Argonaut Ensemble, Melbourne Youth Orchestra, Adelaide, Tasmanian and Melbourne Symphony Orchestras, Golden Fur, Aria Co, Latitude 37, Silo String Quartet, Argonaut String Quartet and The Australian Ballet/Sonic Art Ensemble and Ensemble Taller in Chile. David is founder and director of the highly acclaimed Bendigo International Festival of Exploratory Music and its roster ensemble Argonaut.
David has presented seminars on his music in Melbourne, Wellington, La Rochelle, Marseilles, Santiago, Belfast and Maccagno. As the composer in residence for four years with Phillip Adams’ BalletLab, David was part of the inaugural company in residence programme at the Experimental Media Performing Arts Center in New York and he is the only Australian composer to have been accepted in the Camargo Foundation residency programme, Cassis, and the only composer twice in residence at Centre Intermondes, La Rochelle. His collaboration with Russian poet Anzhelina Polonskaya, KURSK: An Oratorio Requiem was hailed as the triumph of the 2011 Melbourne Festival. In 2014 he was an Artistic Associate for Malthouse Theatre, Melbourne. He composed and produced the polarizing work The Experiment as part of Sydney Festival 2015, a work which has a dedicated chapter in the Leeds University Press|Routledge the 21st Century Performance Reader. In 2017 David was an Australia Council for the Arts Composer in Residence at HIAP in Helsinki, Finland and in 2018 he was an inaugural recipient of the Victorian Government’s Creator Grants. David holds a PhD from the University of Melbourne. In 2018 he was the first Australian composer to be a featured guest of the Encuentro Internacional de Compositoresin Santiago, Chile. His Fado opera collaboration Daughters with librettist Tammy Brennan had its concert premiere at Angel Place, Sydney in 2019 then its theatrical realisation in New Delhi in early 2020. David recently completed a major new work commissioned by the San Francisco Contemporary Music Players, delayed due to COVID-19 until their spring 2022 season. He recently received a new commission from Paris ensemble Le Balcon for an organ concerto to premiere in the French capital in 2022. After many years teaching composition and cultural studies at Monash University and Victorian College of the Arts, David was appointed as Senior Lecturer and Composition Convenor at the School of Music, the University of Auckland in 2019, becoming Deputy Head of School in February 2020, and promoted to Head of School in March 2021.
Research | Current
Active creative research:
Commission of Trio for Violin, Guitar Cello, Geneva, Switzerland, July 2021.
Commission for The ANAM Set, solo work for Bassoonist Jack Cremer in Melbourne, September 2021. (6 minutes)
Commission for Sonora Music, Solo Organ and electronics in Poland, for December 2021. (5 minutes)
Commission from Creative Victoria "Into Darkness" for defunensemble Helsinki, 2022. (20 minutes)
Commission "Organ Concerto" for Sarah Kim and Le Balcon, Paris mid- 2022. (30 minutes)
"Spaces Speak: Are You Listening?" Co-composition with Dr Fabio Morreale in collaboration with Hayball Architects for Melbourne Design Week, April 2021. (unfixed duration)
Commission from Dylan Lardelii "Expanding Pixel Threshold" premiered by Tosiya Suzuki (Great Bass Recorder) and Yoshie Ueno (Piccolo) in Tokyo November 2020. 8 minutes
Commission from Lizzy Welsh "Five pieces for Lizzy Welsh" for solo Baroque Violin in Castlemaine Australia October 2020. (12 Minutes)
Commission from Alex Raineri "Lombard" for solo Piano, World Premiere Brisbane Music Festival, Australia October 2019. (1.5 minutes)
Commission from San Francisco Contemporary Music Players "deepfake" for bass flute, bass/contrabass clarinet, contrabassoon, piano, cello, double bass, and 4-part low-fi electronics, premiere delayed until April 2022, due to global pandemic. (23 minutes)
Active Literary Research Areas
Teaching | Current
In 2021 I will co-teach into MUS246/346 Experimental Music in the 20th and 21st Century
and will continue with Postgraduate Supervision
Currently supervising Masters candidates: David Mason, a composer working across acoustic and electronic creativities and investigating the role of Play and Game in his compositional practice, and Jessie Leov who is examining the role of representation and form in her compositional practice. David recently commenced co-supervision of Masters in Production candidate Tom Davison and will complete supervision of Gustavo Beaklini, a Brazilian harpist looking at the role of the performer as co-composer through the lens of transcription, later in 2021.
In 2020 he co-supervised Rosa Elliott and Michaela Cornelius two Honours level composers, and Grace McKenzie, an supervised Honours level Violinist who examined Mihalyi Chikzenmilhalyi’s “flow” theory as a pedagogical tool in string training. In 2019 he co-supervised David Mason and Julius Magpantay to completion of their Honours years.
David is available for Postgraduate supervision in composition, musical aesthetics, transdisciplinary and collaborative practice, and musical hermeneutics.
Head of School from March 2021
Acting Head of School from November 2020
Deputy Head of School from February 2020
Composition Convenor from January 2019 - February 2020
Areas of expertise
School of Music Executive Committee 2020
School of Music Research Committee, February 2019-2020
Co-Chair School of Music Equity Committee 2020
School of Music External Relations Committee 2019
Auckland Philharmonic Orchestra Inspire Board Member, since late 2019
Selected publications and creative works (Research Outputs)
- Chisholm, D.Expanding Pixel Threshold. (2020). Babelscores.
- Chisholm, D.Five pieces for Lizzy Welsh for solo Baroque Violin. (2020). Babel Scores.
- Chisholm, D.deepfake for low sextet and four speakers. (2020). Premiere postponed due to COVID 19 Pandemic.
- Chisholm, D. (2020). The Memory of Remembering: Exomologesis and Exagoreusis in the Experiment. In T. Brayshaw, A. Fenemore, N. Witts (Eds.) The Twenty-First Century Performance Reader (pp. 113-120). Abingdon, Oxon ; New York, NY: Routledge. Related URL.
- Chisholm, D.Lombard Miniature for solo piano. (2019). Brisbane Music Festival. Babel Scores.
- Chisholm, D., & Brennan, T.DAUGHTERS 11 FADO and 1 ZARZUELA. (2019). Concert Premiere, Big Anxiety Festival. Babel Score.
- Chisholm, D....and I am but an echo, a ghost, the mirror of your flower. (2019). Bendigo International Festival of Exploratory Music. Babelscore.